Film review: Steve Jobs

Screenwriting liberty puts the Apple talisman’s biopic firmly in the land of the Newton

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To describe me as a moviegoer would be more than a tad disingenuous. Finding the time to sit down and properly immerse myself in a film, let alone take a trip to a cinema to spend my life savings on a box of popcorn that I’ll regret within minutes, is difficult.

Nevertheless, I do tend to enjoy adaptations of books that document the lives of the modern world’s more perplexing figures. Two that come to mind are The Social Network, the Oscar-winning dramatisation of the origins of Facebook that helped us to realise that Jesse Eisenberg and Michael Cera were not actually the same person, and Moneyball, the Oscar-nominated translation of advanced baseball statistics and a hairy Brad Pitt to a mainstream audience.

The common link of these movies? Acclaimed screenwriter Aaron Sorkin. His latest twirl of the pen, Steve Jobs, is about to hit UK screens, however those looking for another film of that ilk may be sorely disappointed. Directed by Danny Boyle, Steve Jobs claims to be based upon Walter Isaacson’s 2011 authorised biography of the late Apple co-founder, though is not afraid to abandon all pretence of historical accuracy bar the presentation itself. Continue reading “Film review: Steve Jobs”